An Collaboration of the Senses: Royal Ballet Teams Up alongside Blind Creator for Innovative New Performance

This prestigious ballet company has long made available audio devices with spoken commentary so that blind audience members could understand the movement on stage. Currently, in a groundbreaking performance, the whole audience will listen to such descriptions within a work that investigates how visual impairment can reshape our perceptions to sensation, sound and storytelling.

Blind Artist Partners with Renowned Dance Creators

The blind artist, a blind professional, is partnering with renowned choreographer Wayne McGregor, together with other choreographers, and composer Max Richter in developing a fresh Royal Ballet production that will premiere on November 12th, International Ballet Day, as announced this week.

Through her work, Healey is motivated by a desire to demonstrate how visual impairment and disability can provide an alternative mode of awareness for everyone. Her detailed audio narration, integrated with the score, forms the core of the show on stage.

"Producing exceptional ballet and opera for each person" is a guiding principle of the the organization. Under Kevin O’Hare, the company's leader, the company is zeroing in on "radical accessibility – inviting artists and viewers to discover dance in revolutionary fresh approaches," he stated.

Various Dance Creators Collaborate on New Performance

The recent commission is being choreographed by Tiler Peck, Bim Malcomson, and Rebecca Myles Stewart, in addition to McGregor, all collaborating with Healey.

The curator, the director of this commission, said: "International Ballet Day was created on the idea of accessibility. After a ten years, we're expanding that notion further to explore how impaired viewpoints can influence our art form, and welcome patrons of all abilities and histories to experience dance in new ways."

After collaborating with Healey in Canada and Australian locations, he understood that sighted people who had experienced Healey’s audio narration found it aided them understand ballet, which can seem so complex.

Inspiring Collaboration Of Professional and Amateur Performers

In a particular performance, the company's performer Leo Dixon will partner Takashi Kikuchi, an amateur dancer who has been visually impaired since birth and who had previously believed that ballet was "primarily for individuals with vision". But the dancer has realized that it truly "entails a lot of emotion and sentiments" and engages faculties, "sight-based and non-visual".

Kikuchi’s personal story of once becoming disoriented on his way home and depending on the sun to direct his way back had inspired a performance in which the professional dancer embodies the "soothing presence of the sun around Kikuchi as they perform as one," the choreographer stated.

"This occurred during the day and I had a intuition that the sunlight should be shining from the west. So, if I faced the sunshine, even though I wouldn’t see the sunlight itself, I could feel the heat … So I persisted in walking to the western direction …. It guided me home. The sunshine was a good guide to me. The sun could be a meaningful metaphor. So the narrative developed from there."

Blindness Provides Distinct Relationship with Movement

The blind artist, an academic of disability studies at the University of Toronto, commented: "Blindness and being blind invites a active bond with dance in a way that is comparable to a expert performer's bond with their physical self and dance."

In collaborating with the performers, the artist was seeking to convey what "they perceive in their physical being, something that’s just not available through vision," she said. "I converse with the performers to get a sense of how they are in their physical self, where their breathing is, what they’re thinking, how their body are experiencing.

"In collaboration with the dance creators [and] costume, lighting, stage design and audio designers, the understandings and creativity of visual impairment are constantly visible as we, blind and sighted people, build a connection through our affection of motion and dance. It is this artistry and passion that I attempt to integrate into the immersive descriptive audio. It is a partnership of the perceptions guided by blindness."

The artist added: "Although the sight of the ballet, the gorgeous visual feast, is there in front of the audience, there is a great deal that they’re not accessing or appreciating, and it is visual impairment that is inviting sighted and blind patrons both into the invisible. What I hope is that, when viewers exit, they feel performance in a different way, and they’re also experiencing the existence, and perceiving the understandings of, visual impairment in new and vibrant ways."

Musician Max Richter on Audio Narration

The composer, whose compositions have amassed more than 3.5 billion online plays, said the audio descriptions formed a relationship between visual impairment and vision "by means of a audio environment, offering narration to that which remains unseen". He added: "This isn't just a narration of a performance. This is the performance itself."

World Ballet Day Partners

The company's worldwide associates for World Ballet Day comprise the National Ballet of Canada and the Australian dance troupe. The companies will additionally supply availability to behind-the-scenes video, preparations and freshly produced works – streamed in real-time via online channels.

Mrs. Debra Rodriguez
Mrs. Debra Rodriguez

A Swedish journalist specializing in international relations and digital media, with over a decade of experience reporting from Europe and Asia.